SCREEN-L Archives

October 1997, Week 3

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Michael Sime <[log in to unmask]>
Date:
Wed, 15 Oct 1997 14:50:17 -0400
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (35 lines)
>Jayna Neagle <[log in to unmask]> asks;
> >what is linear and non-linear editing?  what is off-line, on-line
>editing?
 
Davew Trautman gave a very complete explanation for these terms, but I
like to think of them this way:
 
Linear editing- composing your tape-based work like you would a paper on
a typewriter
 
Non-linear editing- dumpiong all of your tape into a cvomputer and
shuffling it around like you would a paper on a word processor.
 
Off-line editing- putting together an outline of your paper from index
cards. (at $25/hr)
 
on-line editing-polishing the outline into a finished piece at $250/hr
 
Mike
 
-----------------------------------------
Michael Sime         <[log in to unmask]>
Video Schmideo!      <[log in to unmask]>
-----------------------------------------
    <http://www.videoschmideo.com>
-----------------------------------------
It's not the time it takes to take the takes,
it's the time it takes BETWEEN the takes,
that takes the time to take the takes.
-----------------------------------------
 
----
Online resources for film/TV studies may be found at ScreenSite
http://www.tcf.ua.edu/screensite

ATOM RSS1 RSS2