I'd like to post the following:

*Job Announcement*:

The Department of Film, Television, and Theatre (FTT) at the University of
Notre Dame is seeking a candidate for an appointment as a tenure-track
*assistant
professor in filmmaking (live action and/or animation)* with a starting
date of August 2023.



*The Department of Film, Television, and Theatre*

FTT (https://ftt.nd.edu) is a large dynamic department that provides a
liberal arts approach to the study of film, television, and theatre with a
unique mix of course offerings in production, design, writing, performance,
history and theory.  FTT offers an undergraduate Bachelor of Arts major and
a graduate minor in Screen Cultures. FTT is committed to anti-racism and
social justice in its curriculum, performances, research, student
work, and hiring
practices.



*Job Description*

Candidates will be expected to maintain a tenurable body of work and teach
a 2-2 load consisting of various self-designed undergraduate courses.
Candidates may be asked to supervise student theses. Candidates will be
expected to perform some service to the department, college and/or
university through committees.



*Qualifications*:

●      Candidates must have an active record of creative work, evidence of
which may include professional credits, festival exhibitions, and/or
publications in trade or academic journals.

●      Candidates may have expertise in any aspect of filmmaking.
Aesthetic, genre, and medium diversity in creative work is welcome.

●      Candidates must have demonstrable potential for successful
college-level teaching in a liberal arts environment.

●      Candidates must have at least an MFA in a related discipline.



*Application instructions*:

Job applicants should submit:

●      a curriculum vitae listing three references with contact information

●      links to samples of creative work

●      a cover letter describing the candidate’s:

o   creative work, with a description of methods, aesthetics and goals;

o   if applicable, description of publications and/or reflections on
practice; and/or on the research necessary to their creative work;

o   future career trajectory and plans for future projects;

o   teaching experience and pedagogic principles; and how their courses and
pedagogy will enhance FTT’s curriculum;

o   commitments to and actions to further diversity, equity and inclusion
in any aspect of their work.

The committee will continue to vet applications until the position is
filled, but candidates should send materials no later than *November 1,
2022* for fullest consideration.



Questions about the position can be directed to Pamela Robertson Wojcik,
Chair of FTT via email: *[log in to unmask] <[log in to unmask]>*



*Equal Employment Opportunity Statement*

The University of Notre Dame seeks to attract, develop, and retain the
highest quality faculty, staff and administration. The University is an
Equal Opportunity Employer and is committed to building a culturally
diverse workplace. We strongly encourage applications from female and
minority candidates and those candidates attracted to a university with a
Catholic identity. Moreover, Notre Dame prohibits discrimination against
veterans or disabled qualified individuals, and requires affirmative action
by covered contractors to employ and advance veterans and qualified
individuals with disabilities in compliance with 41 CFR 60-741.5(a) and 41
CFR 60-300.5(a).



*Background Check *

This appointment is contingent upon the successful completion of a
background check. Applicants will be asked to identify all felony
convictions and/or pending felony charges. Felony convictions do not
automatically bar an individual from employment. Each case will be examined
separately to determine the appropriateness of employment in the particular
position. Failure to be forthcoming or dishonesty with respect to felony
disclosures can result in the disqualification of a candidate. The full
procedure can be viewed at https://facultyhandbook.nd.edu/?id=link-73597.



For help signing up, accessing your account, or submitting your application
please check out

our help and support <http://help.interfolio.com/home>section or get in
touch via email at [log in to unmask] or phone at (877) 997-8807.



APPLY NOW: apply.interfolio.com/110093



On Wed, Jul 20, 2022 at 12:00 AM SCREEN-L automatic digest system <
[log in to unmask]> wrote:

> There are 3 messages totaling 2032 lines in this issue.
>
> Topics of the day:
>
>   1. New book: Social TV: Multi-Screen Content and Ephemeral Culture
>   2. Fwd: MDF 2022 Tickets On Sale
>   3. New Issue of Literature/Film Quarterly on Ivo van Hove
>
> ----
> To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF
> Screen-L
> in the message.  Problems?  Contact [log in to unmask]
>
> ----------------------------------------------------------------------
>
> Date:    Mon, 18 Jul 2022 16:13:16 -0500
> From:    Cory Barker <[log in to unmask]>
> Subject: New book: Social TV: Multi-Screen Content and Ephemeral Culture
>
> Hi everyone. I'm happy to announce the publication of my book, *Social TV:
> Multi-Screen Content and Ephemeral Culture
> <https://www.upress.state.ms.us/Books/S/Social-TV>*, with the University
> Press of Mississippi.
>
> *Description: *In *Social TV: Multi-Screen Content and Ephemeral Culture*,
> Cory Barker reveals how the US television industry promised—but failed to
> deliver—a social media revolution in the 2010s to combat the imminent
> threat of on-demand streaming video. Barker examines the rise and fall of
> Social TV across press coverage, corporate documents, and an array of
> digital ephemera. He demonstrates that, despite the talk of disruption, the
> movement merely aimed to exploit social media to reinforce the value of
> live TV in the modern attention economy. Case studies from broadcast
> networks to tech start-ups uncover a persistent focus on community that
> aimed to monetize consumer behavior in a transitionary industry period.
>
> To trace these unfulfilled promises and flopped ideas, Barker draws upon a
> unique mix of personal Social TV experiences and curated archives of
> material that were intentionally marginalized amid pivots to the next big
> thing. Yet in placing this now-forgotten material in recent historical
> context, *Social TV *shows how the era altered how the industry pursues
> audiences. Multi-screen campaigns have shifted away from a focus on live TV
> and toward all-day “content” streams. The legacy of Social TV, then, is the
> further embedding of media and promotional material onto every screen and
> into every moment of life.
>
> *Select Reviews*:
>
> "An especially timely volume, *Social TV* is an impressive study of the
> Social TV archive for several key case studies, each of which speak to
> different subsectors of Social TV, while commenting on the broader cultural
> and industrial ramifications of social media engagement. *Social TV* offers
> readers a rich archive through which to examine shifts in the TV industry.
> "
> - Jennifer Gillan, author of Television Brandcasting: The Return of the
> Content-Promotion Hybrid
>
> "Barker’s meticulously researched ‘ephemeral historiography’ of the rise
> and fall of Social TV offers fresh insights into some of this moment's more
> notable experiments, from ABC’s #TGIT to AMC’s Story Sync. Vitally, it also
> excavates under-theorized industrial experiments to gauge and reward fan
> participation from this era, from check-in platforms’ efforts to gamify
> television viewing to Amazon’s experiments with ‘fansourcing’ feedback on
> their television pilots. The result is a comprehensive and compelling
> account of the television industry’s attempt to embrace emergent platforms,
> while managing audience engagement on their terms."
> - Suzanne Scott, author of Fake Geek Girls: Fandom, Gender, and the
> Convergence Culture Industry
>
> --
> Cory Barker
> , Ph.D.
>
> Assistant Professor
> Department of Communication
> Bradley University
> www.corybarker.com | @corybarker <http://www.twitter.com/corybarker>
>
> *Social TV: Multi-Screen Content and Ephemeral Culture
> <https://www.upress.state.ms.us/Books/S/Social-TV>*
>
> ----
> For past messages, visit the Screen-L Archives:
> https://listserv.ua.edu/archives/screen-l.html
>
> ------------------------------
>
> Date:    Tue, 19 Jul 2022 13:14:00 -0600
> From:    Eric Coombs Esmail <[log in to unmask]>
> Subject: Fwd: MDF 2022 Tickets On Sale
>
>  Dear Comrades and Colleagues,
>
> Please see the announcement below from Mimesis:
>
> The third annual Mimesis Documentary Festival comes to the Dairy Arts
> Center and the B2 Center for Media Arts from August 2-7.
> View this email in your browser
> <
> https://mailchi.mp/12d0f59e3e2e/mdf2022-programs-announced-15531254?e=5b1b47f871
> >
> Reserve Tickets Now
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=1072192160&e=5b1b47f871
> >
> MDF 2022 Tickets On Sale August 2-7 - Boulder, CO
>  -----------------------------
>
> We are pleased to announce that tickets are now on sale for the 2022
> Mimesis Documentary Festival, welcoming Artist-in-Focus Iva Radivojević and
> Opening Night Artists Emma Baiada and Nicolas Snyder.
>
> With 20+ programs including documentary blocks, installation-based
> documentary arts, conversations, and masterclasses by more than 60 artists
> from around the world, the third annual Mimesis Documentary Festival comes
> to the Dairy Arts Center
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=3e5a127517&e=5b1b47f871
> >
> and the B2 Center for Media Arts
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=89950cb3f3&e=5b1b47f871
> >
> from August 2-7.
> View the 2022 Program
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=356b993c86&e=5b1b47f871
> >
> The festival kicks off with an opening night screening
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=63d9e308b4&e=5b1b47f871
> >
> on August 2nd at 7 PM featuring *Song of Salt* by Emma Baiada and Nicolas
> Snyder (2022, US). Set in an isolated mining town on the outskirts of Death
> Valley, *Song of Salt* is an immersive glimpse into the struggles and
> celebrations within a tight-knit community as its residents, suspended
> between the past and the future, face the present realities of an eroding
> economy.
>
> *“Meaningful and captivating… the perfect observational documentary”*
> - Film Threat
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=112e7a069e&e=5b1b47f871
> >
> Reserve Tickets for Opening Night
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=1f34fb14b6&e=5b1b47f871
> >
> Still from *Song of Salt *(2022) by Emma Baiada and Nicolas Snyder
> Masterclass: A Secret Cinema We are also excited to announce the topic of
> Artist-in-Focus Iva Radivojević's masterclass - A Secret Cinema - taking
> place on August 6th at 10 AM.
> “Life is always spectral, *my *life is always spectral, and in the trace is
> always life.”
> - Akira Mizuta Lippit on Jacques Derrida
>
> This masterclass will explore the idea of the *Specter *who is at the same
> time both visible and invisible.
>
> Perhaps haunting.
>
> Both biographical and autobiographical.
>
> The *Specter* is arrived at from elsewhere, an outside, and all the while
> remains secret.
>
> The eye / I, the narrating *Specter*, reflection, and self-reflection are
> all components of the workshop. The theme is inspired by an essay
> titled *Derrida,
> Specters, Self-Reflection* by Akira Mizuta Lippit in which Life,
> Spectrality, and Autobiography are outlined as the elements of a secret
> cinema (and Derrida himself).
>
> The workshop will dissect these elements to lean into the secret, and
> explore questions of dream logic and the mythical in my moving image work.
> It will include some of my short films as well as a screening of *Gaàda*, a
> "process" film assembled from footage I gathered in pre-production for my
> film *Aleph*.
>
> With love,
>
> --*Iva Radivojević, Lesbos, July 2022*
> Reserve Tickets for the Masterclass
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=3559369155&e=5b1b47f871
> >
> Still from *Gaàda *by Iva Radivojević
> Aleph Iva will also present her latest feature project, *Aleph *(2021,
> US/HR/QA, 91’) on August 5th at 8 PM courtesy of Picture Palace Pictures
> and Ivaasks Films.
> *"...a deeply sensual and thrillingly experiential work, one full
> of...unexpected visual pleasures and musings on cultural differences and
> commonalities..."*
> -Scott Macaulay, Filmmaker Magazine
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=14c84f2ce5&e=5b1b47f871
> >
>
> Reserve Tickets for Aleph
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=6559e3a496&e=5b1b47f871
> >
> Stills from *Aleph *(2022) by Iva Radivojević courtesy of Picture Palace
> Pictures and Ivaasks Films.
> Support Our Work
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=58eeb9e814&e=5b1b47f871
> >
> Mimesis Documentary Festival is brought to life by support from our
> community of international artists, audiences, and partners. Your donations
> support artists and help keep screenings and workshops free for CU
> students. Contribute now
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=053342dd03&e=5b1b47f871
> >
> and help us continue to provide a platform for the infinite potential of
> documentary media.
> *Our Supporters*
>
> Mimesis Documentary Festival is made possible with generous contributions
> from the University of Colorado’s College of Media, Communication, and
> Information
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=4af232acea&e=5b1b47f871
> >,
> the Departments of Anthropology
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=e29d185628&e=5b1b47f871
> >
> and Critical Media Practices
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=3427a446cd&e=5b1b47f871
> >,
> the Research and Innovation Office, and by the ongoing support of our
> donors, audiences, and artists.
> Contribute Now
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=9dd269bae7&e=5b1b47f871
> >
> *2022 Festival Partners*
> CU Department of Anthropology, B2 Center for Media, Arts and Performance,
> Colorado Office of Film, Television and Media, CU College of Media,
> Communication, and Information, CU Department of Critical Media Practices,
> Dairy Arts Center, Center for Documentary and Ethnographic Media, Mission
> Zero Fund, and Nicki Coyle Film and Video.
> Mimesis is an initiative of the University of Colorado Boulder’s Center for
> Documentary and Ethnographic Media
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=39ed166d76&e=5b1b47f871
> >
> to create and foster a local, regional, and international network of
> documentary artists, scholars, and producers. We are artist-focused,
> community oriented, and committed to providing a platform for the infinite
> potential of nonfiction media.
> [image: Instagram]
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=689ec219bf&e=5b1b47f871
> >
> [image: Facebook]
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=65f526a4af&e=5b1b47f871
> >
> [image: Twitter]
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=fab5e2cc42&e=5b1b47f871
> >
> [image: Website]
> <
> https://centerforethnographicmedia.us19.list-manage.com/track/click?u=8d02b3ebfaceb3cb489c1a57d&id=51b17d8e91&e=5b1b47f871
> >
> [image: Email] <[log in to unmask]>
> *Our mailing address is:*
> [log in to unmask]
>
> ----
> Learn to speak like a film/TV professor! Listen to the ScreenLex
> podcast:
> http://screenlex.org
>
> ------------------------------
>
> Date:    Tue, 19 Jul 2022 23:23:22 +0000
> From:    "Kunze, Peter C" <[log in to unmask]>
> Subject: New Issue of Literature/Film Quarterly on Ivo van Hove
>
>
> Dear Colleagues,
>
> I write to announce the publication of a new special issue of
> Literature/Film Quarterly<https://lfq.salisbury.edu/> on Ivo van Hove,
> the Belgian avant-garde director whose mediated, minimalist theatrical
> productions examine the distinction between film and theatre. Whether he's
> incorporating live video feeds and camera operators into Shakespeare or
> staging screenplays by Ingmar Bergman or Joseph L. Mankiewicz, van Hove
> remains one of the most exciting and divisive artists working on European
> and North American stages today.
>
> Here's the table of contents:
>
> Editorial Introduction: Mediating Theatre, Theatricalizing Media: Ivo van
> Hove as Adapter<
> https://lfq.salisbury.edu/_issues/50_3/editorial_introduction_mediating_theatre_theatricalizing_media_ivo_van_hove_as_adapters.html
> >
> Peter C. Kunze (Tulane University)
>
> Ivo van Hove’s Shakespeare Cycles: Immersive Spectacle and Intermedial
> Adaptation<
> https://lfq.salisbury.edu/_issues/50_3/ivo_van_hoves_shakespeare_cycles_immersive_spectacle_and_intermedial_adaptation.html
> >
> Dan Venning (Union College)
>
> Snow Angels and Windmills: Ivo van Hove (Re)Directs Bergman<
> https://lfq.salisbury.edu/_issues/50_3/snow_angels_and_windmills_ivo_van_hove_redirects_bergman1.html
> >
> David Pellegrini (Eastern Connecticut State University)
>
> All About Eve: Screens on Stages on Screens<
> https://lfq.salisbury.edu/_issues/50_3/all_about_eve_screens_on_stages_on_screens.html
> >
> Steve Benton (East Central University)
>
> Articulation, Animation, Alienation: Intermedial Affect in Ivo van Hove’s
> Network<
> https://lfq.salisbury.edu/_issues/50_3/articulation_animation_alienation_intermedial_affect_in_ivo_van_hoves_network.html
> >
> Julia Sirmons (Columbia University)
>
> Ivo van Hove, West Side Story, and the Economics of Broadway Theatrical
> Production<
> https://lfq.salisbury.edu/_issues/50_3/ivo_van_hove_west_side_story_and_the_ecomonics_of_broadway_theatrical_production.html
> >
> Peter C. Kunze (Tulane University)
>
>
> Peter C. Kunze (he/him)
> Visiting Assistant Professor
> Department of Communication
> Tulane University
>
> ----
> Learn to speak like a film/TV professor! Listen to the ScreenLex
> podcast:
> http://screenlex.org
>
> ------------------------------
>
> End of SCREEN-L Digest - 13 Jul 2022 to 19 Jul 2022 (#2022-54)
> **************************************************************
>


-- 
Pamela Robertson Wojcik
Andrew V. Tackes Professor of Film, TV, and Theatre and
Chair, Dept. of Film, TV & Theatre, University of Notre Dame

----
Online resources for film/TV studies may be found at ScreenSite
https://screensite.org/