LISTSERV - LISTSERV.UA.EDU
SCREEN-L
Film and TV Studies Discussion List
Menu
LISTSERV Archives LISTSERV Archives
SCREEN-L Home SCREEN-L Home

Log In Log In
Register Register

Subscribe or Unsubscribe Subscribe or Unsubscribe

Search Archives Search Archives
Re: WHAT HAPPENS WITH THE

Matthew Mah <[log in to unmask]>
Mon, 11 Sep 1995 10:33:01 -0500
text/plain (28 lines)
Show Text Part by Default | Print
 > Working in movie production, it has been my experience that very few
 > films
 > are conceived with the intention of using voice-over narration.
 > Most choose
 > to use narration in order to make up for "story holes" which would
 > otherwise
 > confuse the audience.  Voice-over is usually considered a tactic of
 > last
 > resort, short of massive re-shooting, when the story just isn't
 > working.  It
 > is a shame that voice-over narration isn't integrated into the
 > storytelling
 > more often from the inception of the film, because it can be a
 > wonderful
 > element, in the right context.
 
Okay, but about films like BLADE RUNNER?  Ford's narration provided little to
the movie (in my opinion, dampening it).  The whole narration was based on
film-noir type detective stories in which the hero has to tell the audience
every single detail.  Go fig.
 
Matthew
<[log in to unmask]>
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]
Email Facebook Twitter LinkedIn

Header 1

Link 1
Link 2
Link 3