> Working in movie production, it has been my experience that very few > films > are conceived with the intention of using voice-over narration. > Most choose > to use narration in order to make up for "story holes" which would > otherwise > confuse the audience. Voice-over is usually considered a tactic of > last > resort, short of massive re-shooting, when the story just isn't > working. It > is a shame that voice-over narration isn't integrated into the > storytelling > more often from the inception of the film, because it can be a > wonderful > element, in the right context. Okay, but about films like BLADE RUNNER? Ford's narration provided little to the movie (in my opinion, dampening it). The whole narration was based on film-noir type detective stories in which the hero has to tell the audience every single detail. Go fig. Matthew <[log in to unmask]> ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]