SCREEN-L Archives

April 1994

SCREEN-L@LISTSERV.UA.EDU

Options: Use Proportional Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Abigail Miriam Feder <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 5 Apr 1994 17:31:39 -0700
Content-Type:
text/plain
Parts/Attachments:
text/plain (14 lines)
>
> Stoltz is onto something when he suggests that their is a utopian
> component in *Philadelphia Story.* In his *Pursuits of Happiness* Stanley
> Cavell makes a good case fort the verdunt green space of Connecticut as
> the utopic zone in screwball comedies or that genre he thinks he's
> discovered and called "the comedy of remarriage."
> lgs
>
For that matter, how about *It's A Wonderful Life*.  George spends the
whole movie trying to get to someplace more exciting, only to discover
"There's no place like home"
e-mail: [log in to unmask]
        --Abby

ATOM RSS1 RSS2