Subject: | |
From: | |
Reply To: | |
Date: | Mon, 2 Nov 1998 18:17:39 -0600 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
Mary Beth Haralovich has a brief entry on COLOR with reference to spectacle,
narrative, and the gendering of Hollywood stars in Annette Kuhn's *The
Women's Companion to International Film* (London: Virago Press, 1990; or
Berkeley: University of California Press, 1994) and a longer essay on the
ideological implications of color in Sirk's *All That Heaven Allows* in a US
anthology edited by a man, Peter Lehman, *Close Viewings: An Anthology of
New Film Criticism* (Tallahassee: Florida State University Press, 1990). Allan
At 08:05 AM 10/30/98 -0500, Bonnie Burns wrote:
> I'm looking for an article I once encountered...sadly, I can't
>remember the author or the title. It discussed color in film as another
>form of spectacle associated with stasis/display/femininity. Does this
>sound familiar to anybody? It was in an introductory collection to film
>studies, British publisher, female editor. Ideas about titles/authors for
>either of these citations would be SO appreciated.
----
Online resources for film/TV studies may be found at ScreenSite
http://www.tcf.ua.edu/screensite
|
|
|