Mary Beth Haralovich has a brief entry on COLOR with reference to spectacle, narrative, and the gendering of Hollywood stars in Annette Kuhn's *The Women's Companion to International Film* (London: Virago Press, 1990; or Berkeley: University of California Press, 1994) and a longer essay on the ideological implications of color in Sirk's *All That Heaven Allows* in a US anthology edited by a man, Peter Lehman, *Close Viewings: An Anthology of New Film Criticism* (Tallahassee: Florida State University Press, 1990). Allan At 08:05 AM 10/30/98 -0500, Bonnie Burns wrote: > I'm looking for an article I once encountered...sadly, I can't >remember the author or the title. It discussed color in film as another >form of spectacle associated with stasis/display/femininity. Does this >sound familiar to anybody? It was in an introductory collection to film >studies, British publisher, female editor. Ideas about titles/authors for >either of these citations would be SO appreciated. ---- Online resources for film/TV studies may be found at ScreenSite http://www.tcf.ua.edu/screensite