Historicizing Slashers
PCA/ACA National Conference
April 15-18, 2020
Philadelphia, PA, USA
https://pcaaca.org/
On the eve of Friday the 13th celebrating its 40th anniversary, the concept of the “slasher” and the “slasher film” remains a topic of debate and discourse among horror scholars and fear film aficionados.
Though theorized and analyzed consistently for the past 30 years, slasher films possess a complex history, one that contains controversy (such as graphic violence, misogyny and the promotion of seemingly socially conservative “morals”), a labyrinthine origin and genealogy as well as alternating and shifting periods of popularity.
This panel looks toward the concepts of “Historicizing” and “History” – in all their iterations and understandings - to investigate the cultural and cinematic significance of this (sub/non) genre. This panel will explore the meanings, connotations, dynamics, systems and processes of “Historicizing” and “History” within - and surrounding – “slashers.” This can include personal histories, analytical approaches, archival projects, case studies, theoretical explorations as well as other configurations.
Possible Topics/Approaches Include:
Marketing and Visual Culture
Gender
Audience Reception
Class
Archival Projects
Personal History
Case Studies
Nostalgia
Archive
Queer Theory
Affect
Hauntology
Graphic Violence
Genre Theory
Class
Allusion/Quotation
Race/Ethnicity
Fan Communities/Fan Production
Transmedial Iterations
Critical Theory
Pedagogy
Please send an abstract, proposal or short description (100 words or less) of your project to Shannon Blake Skelton ([log in to unmask]) by October 27th, 2019 at 11pm (Central Standard).
Shannon Blake Skelton, PhD
He/His/Him Read More Here<https://uwm.edu/lgbtrc/support/gender-pronouns/>
Assistant Professor
Kansas State University
141 Nichols
Editor/Essayist Wes Craven: Interviews
https://www.upress.state.ms.us/Books/W/Wes-Craven
Author of THE LATE WORK OF SAM SHEPARD
http://www.bloomsbury.com/us/the-late-work-of-sam-shepard-9781474234733/
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