SCREEN-L Archives

April 2011, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Content-Transfer-Encoding:
quoted-printable
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Date:
Sat, 9 Apr 2011 19:44:00 +0100
Content-Type:
text/plain; charset="Windows-1252"
MIME-Version:
1.0
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (44 lines)
Dear Colleague

this is to remind you that our annual conference will take place at Kings College London on *Thursday 28 April*. The papers to be presented (circulated in advance to attenders who have paid the conference fee) are as follows:

 *   Mary Harrod (King’s College, London): Sweet Nothings: Imagining the Inexpressible in Contemporary French Romantic Comedy
 *   Annabelle Doherty (University of Sydney): Superimposition and Cultural Memory in Chabrol’s and Renoir’s Adaptations of Madame Bovary
 *   Thomas Pillard (Université de Paris-Ouest Nanterre): L’articulation entre la parole de l’acteur et les images génériques dans le cinéma de genre français d’après-guerre : le cas de Fernandel dans L’Ennemi Public n°1 (Henri Verneuil, 1953

 *   Emma Bielecki: From Page to Screen: The Shifting Identities of Fantômas
 *   Pascal Laborderie (Université d’Orléans): La généralisation de la parole dans les films éducatifs français des années 1930

 *   Sarah Leahy (Newcastle University) and Isabelle Vanderschelden (Manchester Metropolitan University): Reassessing the history of French cinema : The understated role of French screenwriters

 *   Codruta Morari (Wellesley College): Dire l’absence: subjectivité et cinéphilie de Rohmer à Ozon
 *   Alina Opreanu (University of Harvard): Envisioning Loss: Jean-Paul Civeyrac’s Cinema of Mourning
 *   Cécile Sorin (Université de Paris VIII): Le pasticciaccio à la française : les dialogues dans les films de Kechiche

 *   Alison Levine (University of Virginia): Words on Trial: Oral Performance in Abderrahamane Sissako’s Bamako
 *   Tijana Mamula (John Cabot University): Metaphorically Seeing: The Place Names of Marguerite Duras
 *   Alison Smith (University of Liverpool): Crossing the linguistic threshold: language and cultural meetings in Philippe Lioret’s Welcome and Rachid Bouchareb’s London River

You will find details of the location and how to pay online here: http://surrey.ac.uk/fahs/research/sfc/annualconference/



_____________________________________________________

Phil Powrie
Professor of Cinema Studies
Dean of the Faculty of Arts and Human Sciences
University of Surrey
GU2 7XH

[log in to unmask]<mailto:[log in to unmask]>
Executive Asst: [log in to unmask] (0)1483689445

Studies in French Cinema: http://surrey.ac.uk/fahs/research/sfc
_____________________________________________________


----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2