How about the Australian film, *Red Road*, in which CCTV plays a central
role?

                      --With warm regards,


                                   Norm
Norm Holland

  Check out my blog, "Your Brain on Culture" at

<http://blogs.psychologytoday.com/blog/this-is-your-brain-culture>

On Wed, Jul 15, 2009 at 9:54 AM, Flanagan, Martin <[log in to unmask]
> wrote:

> Hi all, be great if anyone has any suggestions on the following.
>
> A colleague wonders if anybody knows of any critical work about secret
> or automatic filming, in which the camera either has no viewfinder, or
> no one looking through it?
>
> She supposes CCTV is an example of this, and there is certainly some
> stuff around that as an aesthetic in certain films (Haneke for example),
> but was thinking of Claude Lanzmann's secret films of Nazis in SHOAH;
> what does this do to the gaze, for instance?
>
> Any ideas very welcome!
>
> Cheers
>
> Martin
>
> Dr Martin Flanagan
> Programme Leader, BA (Hons) Film and Media Studies
> University of Bolton
> Deane Road
> Bolton
> BL3 5AB
>
> 01204 903241
>
> ----
> Online resources for film/TV studies may be found at ScreenSite
> http://www.ScreenSite.org
>

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