I am currently working on film commodity theory, in particular the
idea of the film viewer as consumer. One area I am exploring is the
relationship between mirrors (as in the stores) and the screen, and how
does the narcisisstic gaze play a part in both scenarios. I'm currently
drawing a blank on works in film theory which, not only relying on Lacan,
elaborate on this parallel. Any suggestions?
Thanks in advance, Jackie.
Department of Modern Languages
Hartford, CT. 06106-3100
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