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May 2017, Week 2

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Subject:
From:
Rachel Shand <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 9 May 2017 12:44:06 +0000
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Dear SCREEN-L Subscribers,



A new publication from Stanford University Press

Free postage to UK customers



http://www.combinedacademic.co.uk/the-off-screen



 The Off-Screen

An Investigation of the Cinematic Frame
Eyal Peretz
   "Peretz's landmark discussion of the off-screen goes well beyond the technical definitions of Bazin, Bonitzer, or Deleuze. In his hands, the off-screen becomes the philosophical lynchpin of a new way of addressing modern art and the poetics of the modern image."--Alessia Ricciardi, Northwestern University
  "Think you know what a frame is? Well, this inspired book radically unframes and reframes the notion. Frames, Eyal Peretz brilliantly shows, are a negotiation with the specters, angels, or ghosts that works of art—from Bruegel to Tarantino—carry around as their (off-)trail."-- Peter Szendy, University of Paris Ouest Nanterre
   From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
Eyal Peretz is Professor of Comparative Literature at Indiana University, Bloomington. He is the author of Becoming Visionary (Stanford, 2007).

Stanford University Press | Meridian: Crossing Aesthetics | March 2017 | 272pp | 9781503600720 | HB | £56.00*
20% discount with this code: CSL17OFF**
 *Price subject to change.
 **Offer excludes the USA & South America
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