SCREEN-L Archives

July 1996, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Proportional Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Andrea Campbell <[log in to unmask]>
Date:
Sun, 21 Jul 1996 22:59:21 -0400
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (19 lines)
After reading the various responses to the use red and blue in film query,
I was watching I LOVE TROUBLE and noticed that in the scene in the bar when
Nolte is trying to pick up a Chess chemical worker, the background light is
predominantly blue.  Then the camera pans across the dance floor and stops
on the assassin who's trying to kill him and the background has changed to
predmominatly red.
 
Andrea Campbell
Dpt. of Theatre and Film
Brigham Young University
 
 
I want to get back to my roots...graduate school.
--David Duchovny (Agent Fox Mulder)
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2