SCREEN-L Archives

June 1995, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show HTML Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
James Zackary Allen <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Fri, 9 Jun 1995 14:04:06 -0500
Content-Type:
text/plain
Parts/Attachments:
text/plain (17 lines)
Last night I watched Whit Stillman's newest film _Barcelona_ in which two
American males discussed life and romance while living in Spain during the
last decade of the Cold War.  Much was made over the differences between
the natives and their American counterparts.  Yet, paradoxically, Stillman
cast Mira Sorvino (daughter of Paul) in the pivotal role of one of the
Spanish women that are discussed, analyzed, and eventually domesticated.
 
To this viewer, Ms. Sorvino, while obviously a gifted performer, was
decidedly different from the other native women Stillman placed on the
screen. Since Ms. Sorvino has yet to achieve "marquee" status, I am
perplexed as to why Stillman chose an American to represent the qualities
of Barcelona women that are a source of endless meditiation.
 
----
To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2