SCREEN-L Archives

May 2001, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Date:
Mon, 7 May 2001 16:59:27 -0400
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (6 lines)
I watched part of The Birds this weekend and noticed an interesting negotiation of the 180 degree rule that relates to the recent discussion.  It's the scene in the bar/restaurant right before things begin to blow up.  The shots start on one side of the "line" and then sort of dance along it for a while before ending up on the other side.  An efficient way to cross the line without violating the rule (though realizing those are all contingent terms; David Bordwell's recent book on Hong Kong films has an interesting discussion of how HK editing usually breaks the action in different ways than American).

----
To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
in the message.  Problems?  Contact [log in to unmask]

ATOM RSS1 RSS2