LISTSERV - LISTSERV.UA.EDU
SCREEN-L
Film and TV Studies Discussion List
Menu
LISTSERV Archives LISTSERV Archives
SCREEN-L Home SCREEN-L Home

Log In Log In
Register Register

Subscribe or Unsubscribe Subscribe or Unsubscribe

Search Archives Search Archives
comics & development of continuity editing

[log in to unmask]
Sun, 7 Mar 2010 13:54:18 -0500
text/plain (6 lines)
Show Text Part by Default | Print
I was reading some material about the development of continuity editing during the 1910s and it occurred to me that comics probably had some effect on this.  However I can't find any material about such connections though my search was admittedly fairly brief.  Does anybody know of such work?  Comics historians are generally focused on visual print (typically starting Hogarth>Topffer>Outcault>McCay>the explosion) with comics-film influences generally seen as pure borrowings of image technique such as framing, angles, light.  Some of the earliest comics, such as McCay's Dreams of a Rarebit Fiend (film adaptation in 1906), were fairly static visually and can be taken as roughly parallel to tableau editing.  

----
Online resources for film/TV studies may be found at ScreenSite
http://www.ScreenSite.org
Email Facebook Twitter LinkedIn

Header 1

Link 1
Link 2
Link 3