SCREEN-L Archives

May 1998, Week 2

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Tue, 12 May 1998 23:54:44 -0400
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
liora moriel <[log in to unmask]>
Content-Type:
TEXT/PLAIN; charset=US-ASCII
In-Reply-To:
MIME-Version:
1.0
Comments:
To: CBussiere <[log in to unmask]>
Parts/Attachments:
TEXT/PLAIN (21 lines)
You wrote that "Dan raises the excellent example of _I've Heard the
Mermaids Singing_, which, IMHO, contains one of the most innovative
"depictions" of original works of art in film."
In fact, another film from Canada's Studio D/NFB (now defunct, alas)
and with excellent artwork as an integral part of the film (it moved me so
much I actually bought a huge painting from a like-minded artist) is Lea
Pool's ANNE TRISTER.
 
Liora Moriel
Comparative Literature Program
University of Maryland
2107 Susquehanna Hall
College Park, MD 20742-8825
[log in to unmask]
"We have cooperated for a very long time in the maintenance of our own
invisibility.  And now the party is over."                - Vito Russo
 
----
Online resources for film/TV studies may be found at ScreenSite
http://www.tcf.ua.edu/screensite

ATOM RSS1 RSS2