SCREEN-L Archives

July 1993


Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Film and TV Studies Discussion List <[log in to unmask]>
Henry Jenkins <[log in to unmask]>
Mon, 12 Jul 1993 15:30:06 EDT
Your message of Mon, 12 Jul 93 12:07:21 -0500. <[log in to unmask]>
Film and TV Studies Discussion List <[log in to unmask]>
text/plain (16 lines)
Cross-dressing was a trademark of female clown Winnie Lightner, an important
performer in the early sound era. You find it in her films, SIDE SHOW (as a
high diver) and LIFE OF THE PARTY (as a jockey). Both films are WB, 1930.
Lightner's nickname was "tom boy of the talkies" and transgression of and
exageration of gender codes was her stock and trade. I have a good discussion
of Lightner's films in my book, WHAT MADE PISTACHIO NUTS?: EARLY SOUND COMEDY
AND THE VAUDEVILLE AESTHETIC (Columbia University Press) and we just recently
showed SIDESHOW in New York. These films are hard to locate, although TNT
sometimes shows them.
  Then, again, there is always Dietrich. The scene from MOROCCO for example.
See a good essay on this scene and others from the early sound period in
a new book on lesbian and bisexual imagery in the cinema, which I believe is
called VIOLETS AND VAMPIRES. I don't have my copy handy at the moment.
--Henry Jenkins