SCREEN-L Archives

September 1992

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
John Cobb <[log in to unmask]>
Date:
Sat, 5 Sep 1992 09:34:07 CDT
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
text/plain (21 lines)
Hello Cinema Land,
     I have written a poem called Seagull Wind and set it to music. The poem
and music comes out to about 30min's. To approach this from a production point
of view (low budget) where to begin? The scriptinf of the poem-script is about
done, it calls for two actors - one male, one female - the female being the
Poet's muse. Each fragment of the poem has it's own set, and the overall at-
moshpere is sur-realistic. Any advice out there in Cimema Land
Thankyou,
John
P.S. the following fragment is from Seagull Wind  copyrighted 1980, John Wesley
Cobb,III
          In search
          I got tangled
          Entwined ...
          Then you
          Came along
          And ...
          Rearranged
          The twine
*******************************************************************************

ATOM RSS1 RSS2