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May 2015, Week 4

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Subject:
From:
Catherine Grant <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Mon, 25 May 2015 11:38:39 +0000
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Dear Colleagues,


JUST PUBLISHED! [in]Transition: Journal of Videographic Film and Moving Image Studies<http://mediacommons.futureofthebook.org/intransition/theme-week/2015/21/journal-videographic-film-moving-image-studies-22-2015>, 2.2, 2015<http://mediacommons.futureofthebook.org/intransition/theme-week/2015/21/journal-videographic-film-moving-image-studies-22-2015>

  *   Spaghettis in Translation<http://mediacommons.futureofthebook.org/intransition/2015/05/25/spaghettis-translation> by Austin Fisher. An audiovisual response to Michelle Cho, "Genre, Translation, and Transnational Cinema: Kim Jee-woon’s The Good, the Bad, the Weird", Cinema Journal, 54.3, Spring 2015<https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.cho.html>
  *   Against the Real<http://mediacommons.futureofthebook.org/intransition/2015/05/25/against-real> by Cristina Álvarez López and Adrian Martin. An audiovisual response to Sarah O'Brien, "Nous revenons à nos moutons: Regarding Animals in Charles Burnett’s Killer of Sheep," Cinema Journal, 54.3, Spring 2015<https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.o-brien.html>
  *   So’s Nephew by Remes (thanx to Michael Snow) by Jorrie Penn Croft<http://mediacommons.futureofthebook.org/intransition/2015/05/25/sos-nephew-remes-thanx-michael-snow-jorrie-penn-croft> by Jennifer Proctor. An audiovisual adaptation of Justin Remes, “Boundless <https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.remes.html> Ontologies: Michael Snow, Wittgenstein, and the Textual Film”, Cinema Journal, 54.3, Spring 2015<https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.remes.html>
  *   The Definition of Film<http://mediacommons.futureofthebook.org/intransition/2015/05/25/definition-film> by Richard Misek. An audiovisual response to Justin Remes, “Boundless <https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.remes.html> Ontologies: Michael Snow, Wittgenstein, and the Textual Film”, Cinema Journal, 54.3, Spring 2015<https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.remes.html>
  *   The Time Passing<http://mediacommons.futureofthebook.org/intransition/2015/05/25/time-passing> by Benjamin Sampson. An audiovisual response to Julie Levinson, "Time and Time Again: Temporality, Narrativity, and Spectatorship in Christian Marclay’s The Clock," Cinema Journal, 54.3, Spring 2015<https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/cinema_journal/v054/54.3.levinson.html>

I am writing to let you know that we have just published [in]Transition: Journal of Videographic Film and Moving Image Studies, 2.2, May/June 2015. This issue features content generated as part of an exciting collaboration with Cinema Journal, our partner publication. CJ's editor, Will Brooker, shared with us (some six months in advance of publication) four articles from the latest issue of this highly esteemed journal (54.3, Spring 2015<http://mediacommons.futureofthebook.org/intransition/theme-week/2015/21/%E2%80%9Chttps://muse.jhu.edu/journals/cinema_journal/toc/cj.54.3.html%E2%80%9D>) and asked if we would be interested in commissioning video responses to the work. We accepted this challenge, conceiving of it as an experiment to see how audiovisual essays (produced and published relatively quickly) could take up, adapt, or riff off debates and arguments posited by written scholarly texts (which, as is customary, had taken several years to produce and publish).

Five sets of audiovisual essayists accepted the unusual commission, and their creative, critical work forms the basis of our issue (see above). Each video is accompanied by a written statement from the maker(s) discussing the matters at stake in composing such audiovisual responses. As usual, we warmly welcome further responses to the work from viewers and readers in the comments threads. (Please click on the Register<http://mediacommons.futureofthebook.org/intransition/user/register> tab to create a user account for entering comments).

[in]Transition continues to accept submissions of videographic work for peer-reviewed publication in subsequent issues. You can find out further information about this by clicking on the Contribute<http://mediacommons.futureofthebook.org/intransition/theme-week/2015/21/%E2%80%9Chttp://mediacommons.futureofthebook.org/intransition/node/6%E2%80%9D> to [in]Transition at our website.

 We hope you enjoy the issue. Please help us to publicise it via your networks. Many thanks.

Best wishes

Catherine Grant

Editor, [in]Transition 2.2, 2015

Dr <http://www.sussex.ac.uk/mediaandfilm/people/list/person/183852> <http://www.sussex.ac.uk/mediaandfilm/people/list/person/183852> Catherine Grant<http://www.sussex.ac.uk/mediaandfilm/people/list/person/183852>
Senior Lecturer in Film Studies
School of Media, Film and Music
University of Sussex
Silverstone Building
Falmer BN1 9RG

E: [log in to unmask]<mailto:[log in to unmask]>
T: +44 1273 678876

Co-editor: [in]Transition<http://mediacommons.futureofthebook.org/intransition/>: Journal of Videographic Film and Moving Image Studies - a Cinema Journal<http://www.cmstudies.org/?page=cinema_journal>/MediaCommons<http://mediacommons.futureofthebook.org/> Project
Editor: Film Studies For Free<https://exchange.sussex.ac.uk/owa/redir.aspx?C=6c99415b2b3149528b516d4c23f96592&URL=http%3a%2f%2ffilmstudiesforfree.blogspot.com>
Guest Editor: Frames, Issue 1, July 2012: Film and Moving Image Studies Re-Born Digital?<http://framescinemajournal.com/?issue=issue1>

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