SCREEN-L Archives

April 2014, Week 2


Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Sean Redmond <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Mon, 7 Apr 2014 22:53:53 +0000
text/plain (43 lines)
Apologies for cross-posting

Dear all,

Deletion is proud to present Episode 4 The New! The Now! The Fantastic!: Artistic and Scholarly Innovation, specially helmed by Marleen S. Barr, noted for her foundational work in feminist science fiction criticism. This episode has a particular thematic focus on women's creative practice intersecting with the science fictional, the authorial and the scholarly.

Sue Lange's The Intervention<> grapples with two social issues which have been outside feminist science fiction's purview: the fact that men are increasingly opting out of education and the opinion that prostitution can be a legitimate way for women to earn a living.

Sheila Finch is newly venturing into science fiction scholarship detailed in her piece Murgatroyd, Maybe<>.

Seo-Young Chu's Science-Fictional North Korea: A Defective History<> provides a first effort to describe North Korea in terms of science fiction.

Wangechi Mutu's The End of eating Everything<> uses video art to provide an innovative means to confront global consumption.

Elyce Helford's That Old Black Magic: Women, Race, and Post-Millennial U.S. Science Fiction Television<> discusses current images of black women on television.

Elizabeth Lundberg's A Sense of Wonder and Other Feminist Feelings<> addresses the present state of feminist science fiction theory.

Marleen S. Barr defines 'SF/memoir' as a combination of autobiography and science fiction in her The Pen Is Mightier than the Coop Board's Borg Queen: A SF/Memoir<>.

best wishes,

the Deletion team

Important Notice: The contents of this email are intended solely for the named addressee and are confidential; any unauthorised use, reproduction or storage of the contents is expressly prohibited. If you have received this email in error, please delete it and any attachments immediately and advise the sender by return email or telephone.

Deakin University does not warrant that this email and any attachments are error or virus free.

Learn to speak like a film/TV professor! Listen to the ScreenLex