SCREEN-L Archives

December 2004, Week 1


Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Julian Stringer <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Fri, 3 Dec 2004 12:07:59 +0000
text/plain (109 lines)
Dear All

*Scope*'s new articles, book reviews, film reviews, and conference reports are now available online at:

Here is the list of contents:


"Something To Look Forward To": Memory Work on the Treasured Memories of Cinema Going in Bridgend, South Wales, By Helen Richards

"Now That's What I Call a Close Encounter!": The Role of the Alien in Science Fiction Film, 1977 -- 2001, By Lincoln Geraghty and Rebecca Janicker

Questions of Unreliable Narration in The Sixth Sense, By Coral Houtman

Brotherly Relations: Self and (M)Other in Conjoined Twin Films, By Juliana de Nooy and Bronwyn Statham

Book Reviews

David Ehrlich: Citizen of the World, By Olivier Cotte. A Review by Ian Elliot

Experimental Cinema in the Digital Age, By Malcolm Le Grice. A Review by Ernest Mathijs

Movie Wars: How Hollywood and the Media Limit What Films We Can See, By Jonathan Rosenbaum. A Review by Nick Heffernan

Paris Hollywood : Writings on Film, By Peter Wollen. A Review by Patricia Allmer

Polish National Cinema, By Marek Haltof. A Review by Michael Stevenson

The American Horror Film: An Introduction, By Reynold Humphries. A Review by Alex Naylor

The Cinema of Economic Miracles: Visuality and Modernization in the Italian Art Film, By Angelo Restivo. A Review by Anthony Siu

The End of Cinema As We Know It: American Film in the Nineties, Edited by Jon Lewis. A Review by Elizabeth Rosen

The European Cinema Reader, Edited by Catherine Fowler. A Review by Eugenie Brinkema

The German Cinema Book, Edited by Tim Bergfelder, Erica Carter, and Deniz Göktürk. A Review by Robert D. Levy

The Matter of Images: Essays on Representation (second edition), By Richard Dyer. Now You See It: Studies on Lesbian and Gay Film (second edition), By Richard Dyer. A Review Essay by Harry M. Benshoff

The New Iranian Cinema: Politics, Representation and Identity, Edited by Richard Tapper. A Review by Farhang Erfani

The Silence of the Lambs, By Yvonne Tasker. A Review by Daniel Smith-Rowsey

Film Reviews
The Adventures of Antoine Doinel, A Review Essay by Richard Harrison

Auto Focus, A Review by Jason Woloski

Buffalo Soldiers, A Review by Ross Thompson

The Dancer Upstairs, A Review by Erika Hernandez

Finding Nemo, A Review by Alice Mills

Kill Bill: Vol. 1, A Review by Brian Gibson

Once Upon a Time in Mexico, A Review by Reni Celeste

Pirates of the Caribbean: The Curse of the Black Pearl, A Review by Rayna Denison

Punch-Drunk Love, A Review by Steve Woollock

Touching the Void, by Jenna Pei-Suin Ng

Conference Reports

'Communications in Wales after the Communications Act', The University of Wales, Aberystwyth, 29-30 March 2004, A Report by Jiska Engelbert

Second Annual University College Postgraduate Conference, University of London, 4 March 2004, A Report by Catherine Anne Davies

Negotiating Fictions: Contemporary Cultures, an interdisciplinary postgraduate conference, The University of Edinburgh, 6 March 2004, A report by Emily Munro

Quality American TV: An International Conference, Trinity College,  Dublin, 1-3 April 2004, A Report by Geoff Lealand



Dr. Julian Stringer
Lecturer, Institute of Film Studies
School of American and Canadian Studies
University of Nottingham
University Park

Tel: +44 (0) 115 951 4846
Fax: + 44 (0) 115 951 4270

This message has been scanned but we cannot guarantee that it and any
attachments are free from viruses or other damaging content: you are
advised to perform your own checks.  Email communications with the
University of Nottingham may be monitored as permitted by UK legislation.

Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: