 
| Sender: |
|
| Mime-version: |
1.0 |
| Date: |
Sun, 17 Oct 2004 19:07:28 -0500 |
| Reply-To: |
|
| Content-type: |
text/plain; charset="US-ASCII" |
| Subject: |
|
| From: |
|
| In-Reply-To: |
|
| Content-transfer-encoding: |
7bit |
| Parts/Attachments: |
|
|
Hello everyone,
I am doing some research into what I want to refer to as "the aural turn" in
film theory, as signalled in the works of Chion, Rosolato, and the several
anthologies on sound (Belton, et al). I am wondering whether anyone is aware
of any literature out there that offers a meta-critique/assessment of this
historical evolution in filmic discourse?
And on a related topic ... is anyone familiar with any articles that
theorize the role of silence (aka dead space) in the talking head
documentary form?
Thank you, as always, Angelica Fenner
****************************************************
Angelica Fenner
Assistant Professor
325 Odette Hall
Germanic Languages and Literatures / Cinema Studies Program
University of Toronto
Toronto, Ontario M5S 1J4 CANADA
Tel. 416-926-2326 Fax. 416-926-2329
----
Online resources for film/TV studies may be found at ScreenSite
http://www.ScreenSite.org
|
|
|
