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How about Vladimir Nizhny's Lessons with Eisenstein? Nizhny was a
student of Eisenstein's and talks in valuable detail about how
Eisenstein worked over his classes in search of the right dramatic and
cinematic "solution" posed by a scene.
I haven't seen the earlier messages in this thread, so apologies if I'm
being redundant.
Cheers,
Jon Aronoff
-----Original Message-----
From: Film and TV Studies Discussion List [mailto:[log in to unmask]]
On Behalf Of Holberg, Amy
Sent: Thursday, June 20, 2002 8:33 AM
To: [log in to unmask]
Subject: Re: history of acting books
I also suggest Sergei Eisenstein's "Film Form." The references to acting
are scattered throughout, but make connections between film and stage
acting as well as suggesting principles for screen acting. I seem to
remember Hugo Munsterberg's "Psychology of the Photoplay" also discusses
film acting in relation to stage acting, but I can't seem to find it to
be sure, and I may be remembering Bela Belazs' text instead.
Amy Holberg
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