Take a look at Charles and Ray Eames' "Powers of 10"--the whole film is a
God's eye POV, on both micro and macro scales.
On 10/13/08 1:03 PM, "Scott Wilson" <[log in to unmask]> wrote:
> Dear all;
> a student of mine is engaged in a research project exploring the history, use
> and implications of the God (or God's-Eye) POV shot. We've ticked off the
> usual suspects (Hitchcock; Von Trier etc) and are wondering if you know of any
> examples off-hand, or of any attempts to theorise this shot in particular?
> Dr. Scott Wilson
> Programme Co-Ordinator: Performing and Screen Arts Theory.
> Screen Studies Co-Ordinator & Lecturer
> School of Performing and Screen Arts
> Unitec New Zealand
> Te Whare Wananga o Wairaka
> Private Bag 92025
> Auckland, New Zealand
> Extension 7855
> Online resources for film/TV studies may be found at ScreenSite
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