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June 2020, Week 4


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Rachel Shand <[log in to unmask]>
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Film and TV Studies Discussion List <[log in to unmask]>
Mon, 22 Jun 2020 15:32:52 +0000
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Dear SCREEN-L Subscribers,

We would like to announce a new publication from Fordham University Press, which we hope will be of interest.

Noir Affect
Edited by Christopher Breu & Elizabeth A. Hatmaker
Afterword by Paula Rabinowitz

Receive a 20% discount online:

“A marvelous collection—at once theoretically savvy and historically illuminating—Breu and Hatmaker’s Noir Affect provides an excellent model of how to do critical, cultural theory right. With subjects moving from Dashiell Hammett, Chester Himes, and Patricia Highsmith to Iceberg Slim, Ann Bannon, and Donald Trump, and spaces ranging from midcentury think-tanks, Japanese cyberpunktopias, and Greenwich Village gay bars to the precincts of Mexican Mike Hammers, Max Payne video game IPs, and the assorted haunts of corrupt cops, displaced Nazis, and ubiquitous sadomasochists, Noir Affect lands us in the after hours room of the university library. The assembled authors stretch the noir concept across an endless night of mediascapes—and theory-scapes—and a stirring range of approaches, archives, affective dispositions, materials, and sites.”—Aaron Jaffe, Florida State University
Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga.
The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically “perverse,” including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political–economic impact of the various forms noir affect takes.
If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir.
Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Brian Rejack, Ignacio Sánchez Prado, Pamela Thoma, Kirin Wachter-Grene.
Paula Rabinowitz is Professor Emerita of English at the University of Minnesota. She is the author of Black & White & Noir: America’s Pulp Modernism.
Christopher Breu is Professor of English at Illinois State University. He is the author of Hard-Boiled Masculinities and Insistence of the Material: Literature in the Age of Biopolitics.
Elizabeth A. Hatmaker (1970–2017) was Instructional Assistant Professor at Illinois State University. She was the author of two books of poetry, Infrastructures and Girl in Two Pieces.
With all best wishes,

Combined Academic Publishers

Fordham University Press | June 2020 | 304pp | 9780823287666 | PB | £26.99*
*Price subject to change.

Online resources for film/TV studies may be found at ScreenSite