Apologies for cross posting

30 % off for all SCREEN-L subscribers!*
when you quote CS0513ASSE<http://www.combinedacademic.co.uk/27050-another-steven-soderbergh-experience.html> when you order

[9780292744219.jpg]<http://www.combinedacademic.co.uk/27050-another-steven-soderbergh-experience.html>Another Steven Soderbergh Experience<http://www.combinedacademic.co.uk/27050-another-steven-soderbergh-experience.html>
Authorship and Contemporary Hollywood
Mark Gallagher

"...Gallagher challenges the very methods and ways by which we write, discuss, and think about cinema. In holding Soderbergh up as the preeminent figure for this type of study from contemporary Hollywood, he's also sacrificing the director's auteur status...these efforts also thrillingly problematize that relationship between author and subject, made all the more exhilarating by an interview between the two as the book's coda, which is the most compelling interview (online or print) I've read in 2013."-Clayton Dillard, Slate.com

How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh's career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema.  Gallagher investigates Soderbergh's work on such films as The Limey, Erin Brockovich, Ocean's Eleven and its sequels, Solaris, The Good German, Che, and The Informant!, as well as on the K Street television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh's role as standard-bearer for U.S. independent cinema following 1989's sex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s.

Mark Gallagher is Lecturer in Film and Television Studies in the Department of Culture, Film, and Media at the University of Nottingham and the author of Action Figures: Men, Action Films, and Contemporary Adventure Narratives. He is also coeditor of Scope: An Online Journal of Film and Television Studies.

University of Texas Press
11 b&w photographs
May 2013 337pp 9780292744219 HB £42.00 now only £29.40 when you quote CS0513ASSE<http://www.combinedacademic.co.uk/27050-another-steven-soderbergh-experience.html> when you order

Postage and Packing £3.50
(PLEASE QUOTE REF NUMBER: CS0513ASSE<http://www.combinedacademic.co.uk/27050-another-steven-soderbergh-experience.html> for discount)
To order a copy please contact Marston on +44(0)1235 465500 or email [log in to unmask]<mailto:[log in to unmask]>
or visit our website:
combinedacademic.co.uk
where you can also receive your discount
 *Offer excludes the USA, South America and Australasia.

 Follow us on Twitter @CAP_Ltd<http://twitter.com/#!/CAP_Ltd> or Facebook Combined Academic-Publishers<http://www.facebook.com/home.php?sfrm=1#!/CombinedAcademicPublishers>

Want to hear more about new publications within film and television studies? Sign up to our e-newsletter<http://www.combinedacademic.co.uk/content/34-subscribe-to-our-newsletter>


----
Learn to speak like a film/TV professor! Listen to the ScreenLex
podcast:
http://www.screenlex.org