SCREEN-L Archives

November 2010, Week 1

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
"Eleni P." <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Date:
Mon, 1 Nov 2010 16:13:46 -0400
Content-Type:
text/plain
Parts/Attachments:
text/plain (36 lines)
"marking the move from one world to another"--that is crucial to one way of
interpreting Vertigo/*D'entre les morts*.   Hitchcock becomes the Charon
letting Scottie hang around a bit in the middle of the stream so to  speak.

This is a story about a real ghost:  Scottie, imagining his lost life.


Eleni

On Sun, Oct 31, 2010 at 7:14 PM, William Lingle <[log in to unmask]>wrote:

> -----Original Message-----
>
> "He walks across the film frame, carrying a trumpet case, as Scottie is
> about to go upstairs to
> Elster's office in the shipyard. I read Hitchcock as marking the move from
> one world to another. He is a Pied Piper, leading Scottie away from the
> realistic world, where, as "hard-headed Scot," he has just been
> tryingrationally to overcome his acrophobia. "
>
>  But I believe that is an ear trumpet case.  It's not a trumpet case.  A
> small point, perhaps, but on such points does interpretation hinge.
>
>
>
>
>
> ----
> To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L
> in the message.  Problems?  Contact [log in to unmask]
>

----
Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: http://www.tcf.ua.edu

ATOM RSS1 RSS2