SCREEN-L Archives

August 2010, Week 3


Options: Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Benjamin Halligan <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Sat, 14 Aug 2010 13:57:09 +0100
text/plain (82 lines)
Sequence in "Out of Sight" where the fourth wall is spray-painted during a murder. 
The instance of this I'd love to know more about (and I've found no reference to it in any book on Joseph Losey) is where a cricket ball seems to hit the camera tripod during "The Go-Between", so that the image shakes (at the end of the cricket match sequence). The film is so straight-laced that it can't be regarded as a moment of reflexivity, and so the moment is enormously out of place in this period drama... I wonder if Losey left it in as an in-joke? 


From: Film and TV Studies Discussion List on behalf of Cynthia
Sent: Sat 14/08/2010 04:50
To: [log in to unmask]
Subject: Re: [SCREEN-L] Saving Private Ryan's blood on the camera technique

I just saw The Three Stooges in Pardon My Backfire (1953) at Film 
Forum in NYC, part of their classic 3D series; oil is sprayed 
directly onto the lens. And the technique is not uncommon in nature/
wildlife films set in oceans, lakes, rivers.

Cynthia Chris, Associate Professor
Department of Media Culture
College of Staten Island, CUNY

On Aug 12, 2010, at 9:48 AM, Kendrick, Jim wrote:

> I immediately thought of the sequence in Stanley Kubrick's "The 
> Shining" in which the torrent of blood comes pouring out of the 
> elevator. We see it several times, but it is only the last time 
> that the blood actually washes up over the camera and we see 
> everything for several seconds bathed in red.
> _________________
> James Kendrick, Ph.D.
> Assistant Professor
> Dept. of Communication Studies
> Film and Digital Media Division
> Baylor University
> ________________________________________
> From: Film and TV Studies Discussion List [[log in to unmask]] On 
> Behalf Of Miriam Ross [[log in to unmask]]
> Sent: Tuesday, August 10, 2010 4:45 AM
> To: [log in to unmask]
> Subject: [SCREEN-L] Saving Private Ryan's blood on the camera 
> technique
> Does anyone know of instances prior to Saving Private Ryan where 
> blood or
> other liquids have splattered onto the camera lens and have been 
> left in the
> shot (thus suggesting the fourth wall).
> Following this enquiry, does anyone know of any 3D films that have 
> used the
> same effect. Step Up 3D allows water to remain on the lens but I 
> haven't
> seen this in any other previous stereoscopic films.
> many thanks
> Miriam Ross
> --
> ----
> For past messages, visit the Screen-L Archives:
> ----
> To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF 
> Screen-L
> in the message.  Problems?  Contact [log in to unmask]

Screen-L is sponsored by the Telecommunication & Film Dept., the
University of Alabama: <> 

Online resources for film/TV studies may be found at ScreenSite