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April 2020, Week 3


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Matthew Freeman <[log in to unmask]>
Reply To:
Film and TV Studies Discussion List <[log in to unmask]>
Mon, 20 Apr 2020 11:46:11 +0100
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*International Journal of Creative Media Research*
*Issue 3 Published*
[image: FB_IMG_1538338178220.jpg]
* <>*

Welcome to the third issue of the *International Journal of Creative Media
Research*, Bath Spa University's interdisciplinary, peer-reviewed and open
access academic journal devoted to pushing forward the approaches to and
possibilities for publishing creative media-based research.

Issue 3 comprises eight pieces of work, developed from across a number of
countries and from a range of disciplines, that present explorations and
reflections on emerging approaches to creative and practice-based research.
Topics span the creation of news poems, experimental uses of virtual
reality in learning and teaching practices, the application of art-based
research methods in museum curation, and the development of new creative
research methodologies like ethnomediaology. This issue also showcases a
particular focus on documentary filmmaking as a research method, with a
series of articles exploring this form’s creative, conceptual and
methodological relationship to heritage, story and character on screen.
Other pieces in this issue – namely Ron Herrema’s Code as Prosthesis –
experiment with an altogether less linear and more user-led method of
presenting creative research, adopting a more interactive approach.

Enjoy the content, and please share widely.


*'News Poems': A New Way of Manufacturing the News
*- Andrew Calcutt, University of East London*

*Creating the Griersonian Character and Breaking the ‘Yahoo’ Tradition

*- Catherine Gough-Brady, RMIT University, Melbourne*
*What Are Students Doing When We Aren’t Looking: A Pilot Exploration of the
Ways Students Interpret the Production and Risk Assessment Process when
Working Independently of an Educator on Location Film Shoots
*- Annie East, Bournemouth University*

*Art Based Research as Virtual Cultural Heritage
*- Annie Wan, Independent Researcher*

*Non-Linear Documentary and Museum Exhibition Design: Interdisciplinary
*- Helen Gaynor, University of Melbourne*

*Love in a Time of a Marriage Equality Postal Survey: Documentary
Filmmaking in the Midst of Moral Panic
*- Phoebe Hart, Queensland University of Technology*

*Code as Prosthesis
*- Ron Herrema, Bath Spa University*

*StoryLab Research Network: An Ethnomediaology Approach to
*- Nico Meissner, Griffith Film School, Queensland*

We are now accepting submissions for future issues. Please consult our Author
Guidelines <> page
for further information. Contact details can be found here

*Dr Matthew Freeman, FHEA*
*Reader in Multiplatform Media*
*Unit of Assessment Leader, **Communication, Cultural and Media Studies*
*Deputy Director, The Centre for Cultural and Creative Industries
*Co-Director, The Centre for Media Research
*Film and Media Subject Lead**, SWW AHRC DTP <>*

*Telephone:* +44 (0)1225 876708
*Staff Profile:*

*Recent publications:*

   - Freeman, M (2019) *The World of The Walking Dead*. Routledge, London.
   - Freeman, M (2019) 'Transmedia Historiography as Educational Practice:
   Narrativising Colombian Cultural Memory.' *International Journal of
   Creative Media Research*, 1.
   - Freeman, M (2019) 'Re-building Transmedia Star Wars: Strategies of
   Branding and Un-branding a Galaxy Far, Far Away.' In: Proctor, W and
   McCullough, R, eds. *Disney’s Star Wars: Forces of Production, Promotion
   and Reception*. University of Iowa Press, Iowa City.
   - Freeman, M and Gambarato, R.R, eds. (2018) *The Routledge Companion to
   Transmedia Studies*. Routledge, London.

The School of Creative Industries
Bath Spa University
Newton Park, Bath, BA2 9BN

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