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Date: | Sat, 3 Apr 2010 17:02:30 +0900 |
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Apologies for crossposting:
The Japan Society of Image Arts and Sciences has just published the
10th issue of Iconics: International Studies of the Modern Image (ISSN
1345-4447), featuring articles by major scholars in English and French
on cinema and other modern image media. The table of contents is as
follows:
Pragmatism and the Interpretation of Films
- Martin Lefebvre
La Fin du Grand Sommeil de l'Introuvable Dame du Lac
- Marc Cerisuelo
Liquid Cinema and the Watery Substance of Vision
- A. L. Rees
Kinodrama and Kineorama: Modernity and the Montage of Stage and Screen
- Okubo Ryo
The "Eternal Virgin" Reconsidered: Hara Setsuko in Contexts
- Kanno Yuka
Strange Bedfellows: Hasumi Shigehiko and Oshima Nagisa on Sex,
Censorship and Cinema
- Ryan M. Cook
Where Did the Bluebird of Happiness Fly?: Bluebird Photoplays and the
Reception of American Films in 1910s Japan
- Yamamoto Naoki
Kneeling on Broken Glass: Psychoanalysis and Japan Film Studies
- Jonathan M. Hall
Iconics is published once every 2 years as the international journal
of the JASIAS and introduces articles in English, French and German.
The Society also publishes the journal Eizogaku twice a year in
Japanese. Iconics features refereed submissions from JASIAS members
and invited articles by major world scholars, as well one translated
article that was selected by the editorial board as the best piece
published in the previous two years in Eizogaku (Okubo Ryo's article
is that piece in Issue 10).
For a list of the contents of previous issues of Iconics, please
consult the JASIAS website:
http://www.art.nihon-u.ac.jp/jasias/iconics-ie.html
Inquiries about acquiring single issues of Iconics or starting a
subscription, or about joining the JASIAS (Japan's largest film and
modern image media studies society), can be addressed to the JASIAS
office: [log in to unmask]
----
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