SCREEN-L Archives

April 1997, Week 4

SCREEN-L@LISTSERV.UA.EDU

Options: Use Monospaced Font
Show Text Part by Default
Condense Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Content-transfer-encoding:
7BIT
Sender:
Film and TV Studies Discussion List <[log in to unmask]>
Subject:
From:
Donald Larsson <[log in to unmask]>
Date:
Thu, 24 Apr 1997 14:15:05 -0600
MIME-version:
1.0
Content-type:
TEXT/PLAIN; CHARSET=US-ASCII
Reply-To:
Film and TV Studies Discussion List <[log in to unmask]>
Parts/Attachments:
TEXT/PLAIN (17 lines)
You could, I suppose, include train tunnels--Keaton's OUR HOSPITALITY;
THE LADY VANISHES (where the tunnel creates a clue); and of course
MISSION IMPOSSIBLE's ending in the Chunnel (or for that matter, SPEED's
climax in the unfinished LA subway) are all examples.
 
I don't recall if anyone has mentioned the film version(s) of Jules Verne's
JOURNEY TO THE CENTER OF THE EARTH.
 
Speaking of Verne, Melies has his astronauts enter a sublunar tunnel in
A TRIP TO THE MOON.
 
Don Larsson, Mankato State U (MN)
 
----
Online resources for film/TV studies may be found at ScreenSite 
http://www.sa.ua.edu/screensite

ATOM RSS1 RSS2