I'm looking at theories on the emotional effects of screen violence for film and TV spectators. I've found a great deal of debate in TV studies on such "effects." Can anyone point me to a good overview, or specific leading voices, in film studies on this issue? I'm especially interested in any application or refutation of Aristotle's ancient theory of catharsis, as a purging/purifying/clarifying of fear and sympathy (or terror and pity) through the watching of violent action onstage. Mark Pizzato Dept. of Dance and Theatre UNC-Charlotte Charlotte, NC 28223 [log in to unmask] (704) 547-4488 FAX: 704-547-3795 ---- Online resources for film/TV studies may be found at ScreenSite http://www.tcf.ua.edu/ScreenSite