Subscribers might like to know that an unusual 2-part documentary on Griffith is available from Creative Arts Television, POB 739, Kent, CT 06757. $49.95 each plus $5 to ship. Details follow: D.W. GRIFFITH: BIOGRAPH YEARS First part of two part series on the great film director D.W. Griffith. Ron Mottram, professor of cinema history and director of the 1975 Griffith retrospective at the Museum of Modern Art in New York City interviews silent film star Blanche Sweet about her career and work with Griffith. Illustrated with many film clips and photographs. Film excerpts include portions of "Death's Marathon", "The Painted Lady", "Feud in the Kentucky Hills", "A Corner in Wheat", "The Informer", "Country Doctor", all made in the early years when Griffith worked for the Biograph company, 1908-1913. Ms.Sweet starred in many of these films and reminisces about Griffith's method of shooting. He invented as he went along. These films and dozens of others were often turned out two or three a week, shown briefly, and then never seen again. Some of these films include the first "pans", "zooms" or "close ups" ever used. . 1975, color, 27 mins D.W. GRIFFITH: FEATURE FILM YEARS Second part of two part series on the great film director D.W. Griffith. Ron Mottram, professor of cinema history and director of the Griffith Retrospective at the Museum of Modern Art, New York City, 1975. Mottram here interviews silent film star Lillian Gish about Griffith. Film excerpts include portions of "Way Down East" (1920), "Intolerance" (1916), "True Heart Susie" (1919) and "Birth of a Nation." Ms. Gish reminisces about the long hours, dangerous situations, and the presentation of character without recourse to spoken dialogue. Other topics: changes in Hollywood, how Griffith was always in money difficulties, his unsuccessful career at Paramount --couldn't work with a script, "things came from his own mind, " Paramount gave him "no free rein." The plot element of the last minute rescue was created and perfected by Griffith. His quiet scenes as good as his spectacles. Homecoming themes important to him. How Griffith created historical film with great crowds of people. 1975, color, 27 mins ---- To sign off Screen-L, e-mail [log in to unmask] and put SIGNOFF Screen-L in the message. Problems? Contact [log in to unmask]