The reason main reason one might argue that SPR is ultimately a prowar film is because it is framed by the question of whether or not Ryan lived a life worthy of the sacrifice of so many men to save him. The film's answer is an unequivocable "yes". War might be portrayed as the ultimate horror, but in the end the horror has a purpose and concrete meaning in the person of Ryan and is therefore a "glorious" pursuit. The fact that Ryan lived a good, decent life justified all of the bloodshed on his behalf; ironically, the higher aim in this movie is the glory of the individual, rather than the glory of a universal cause such as freedom. Deane Tucker ---------- >From: Jim Marsden <[log in to unmask]> >To: [log in to unmask] >Subject: Re: Translating Private Ryan >Date: Tue, Sep 15, 1998, 12:41 PM > >I suppose that a thoroughgoing pacifist could fault SPR for being >"pro-war" because it does not promote turning the other cheek. But unless >one is prepared to claim that even in the face of Nazi aggression there >should have been no military response, it is hard to imagine any >convincing grounds for calling "pro-war" a film that so devastatingly >portrays the horror of battle. > >Jim Marsden/Bryant College > >> You're right, Bob. SPR was a masterpiece that no one could reasonably >> deem to be pro-war. Anyone's reasons for thinking otherwise will be >> amusing. >> >> - Josh > >---- >Online resources for film/TV studies may be found at ScreenSite >http://www.tcf.ua.edu/screensite ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama.