I still remain confused as to why Wenders had to get rid off ALL of the old 16mm prints and I assume negatives. Even if they were not that great, they were better than nothing. No One could spend money to make ALL NEW 16mm negs, titles & ,35mm prints etc. I am glad he cares so much about quality but the net result is that the films will never again be available in 16mm and it seems unlikely they will come abound in 35mm exept in some special tour. I do think he shot himself in th foot by taking everything he could off the market Jessica Rosner Kino Kino International Corporation 333 W. 39th St. Suite 503 New York, NY 10018 (212)629-6880 fax: (212)714-0871 ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama.