F I L M - P H I L O S O P H Y electronic salon <////> Monday, 31 August 1998 The following books have been received and need reviewers. Dudley Andrew, ed., _The Image in Dispute: Art and Cinema in the Age of Photography_ (Austin, Texas: University of Texas Press, 1997). Jacques Aumont, Alain Bergala, Michel Marie and Marc Vernet, _Aesthetics of Film_, trans. and rev. Richard Neupert (Austin, Texas: University of Texas Press, 1992). Pierre Bourdieu, _On Television and Journalism_ (London: Pluto Press, 1998). Ron Burnett, ed., _Explorations in Film Theory: Selected Essays from _Cine-Tracts__ (Bloomington and Indianapolis: Indiana University Press, 1991). Leo Charney, _Empty Moments: Cinema, Modernity, and Drift_ (Durham and London: Duke University Press, 1998). Silvio Gaggi, _From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media_ (Philadelphia: University of Pennsylvania Press, 1997). Jan-Chrstopher Horak, _Making Images Move: Photographers and Avant-garde Cinema_ (Washington and London: Smithsonian Institution Press, 1997). John Marks, _Gilles Deleuze: Vitalism and Multiplicity_ (London: Pluto Press, 1998). Jean-Michel Rabate, ed., _Writing the Image After Roland Barthes_ (Philadelphia: University of Pennsylvania Press, 1997). Mark C. Taylor, _Hiding_ (Chicago, Illinois: University of Chicago Press, 1997). Slavoj Zizek, ed., _Cogito and the Unconscious: Sic 2_ (Durham and London: Duke University Press, 1998). If you would like to review one of these works then please respond as soon as possible to: [log in to unmask] Do not hit 'reply', or send to this list's address. A brief statement of interest and experience may aid in the selection process. Don't forget your postal address. Length/Deadline for review: 2-5,000 words, 1-2 months after receipt. Reviews are simultaneously published on the website and email salon. ************* When I first saw the cinematograph I realised it could offer something new to philosophy. The cinema provides us with an understanding of our own memory. Indeed we could almost say that cinema is a model of consciousness itself. Going to the cinema turns out to be a philosophical experience. Henri Bergson Film-Philosophy is an email discussion forum and website founded in November 1996. http://www.mailbase.ac.uk/lists/film-philosophy/files To join just write to the owner at: [log in to unmask] ********************** ---- To sign off SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]