John Doyle requests: > Can anyone suggest interesting examples of opening title sequences > that use works of art (paintings or drawings) as a background? > I can't be sure of the following, but the films themselves are at least somewhat art-related and I do know that a few of them feature such pictures in the immediate credits or just after. I include fictional "artworks" here but not drawings or animations that are designed specifically for the credits alone (eg. the Pink Panther films). LAURA, THE PORTRAIT OF DORIAN GRAY, FRIENDLY PERSUASION (this one I'm sure of--a stitched sampler that "comes to life," something of a cliche in a number of films), THE HORSE'S MOUTH (with Alec Guinness), Lang's THE WOMAN IN THE WINDOW (with E.G. Robinson), Altman's THREE WOMEN, PORTRAIT OF JENNY, Hitchcock's REBECCA (featuring the tree that the narrator said her father idealized as a subject for painting--may not really count), VOLERE/VOLARE MOULIN ROUGE (Toulouse-Lautrec), THE AGONY AND THE ECSTASY (Michelangelo), EL GRECO, REMBRANDT (with Laughton), LUST FOR LIFE (Van Gogh) and Altman's VINCENT AND THEO, Peter Watkin's EDVARD MUNCH (and check out the forthcoming ARTEMESIA about Gentileschi), the cartoon GAY PUREE FUNNY FACE (drawings from the fashion world), AN AMERICAN IN PARIS Mizoguchi's UTAMARO AND HIS FIVE WOMEN Don Larsson ---------------------- Donald Larsson, Mankato State U (MN) [log in to unmask] ---- Online resources for film/TV studies may be found at ScreenSite http://www.tcf.ua.edu/screensite