Dear SCREEN-L readers: We would like to post, as soon as they are available, the tables of contents for forthcoming issues of _Screen_. Published by Oxford University Press, _Screen_ is acclaimed as a contemporary media studies journal. Founded nearly forty years ago by the Society for Education in Film and Television (SEFT), _Screen_ established itself as _the_ leading international journal dedicated to the advanced study of film and television. Since 1990 the journal has been edited by The John Logie Baird Centre, University of Glasgow Please visit our www home page at http://www.oup.co.uk/screen/ We hope you will welcome this information and find it useful. Best wishes. Meredith Morovati Oxford University Press [log in to unmask] JUST PUBLISHED =============================== SCREEN--SPECIAL LATIN AMERICAN ISSUE Volume 38, Number 4 (Winter 1997) =============================== EDITORS: John Caughie, Simon Frith, Norman King, Annette Kuhn, Karen Lury, Jackie Stacey, The John Logie Baird Centre =============================== TABLE OF CONTENTS Camera solidaria. Catherine Grant pp. 311-328 The humiliation of the father: melodrama and Cinema Novo's critique of conservative modernization. Ismail Xavier pp. 329-344 Modernity, masculinity and imperfect cinema in Cuba. Catherine Davies pp. 345-359 Silver sling-backs and Mexican melodrama: Salon Mexico and Danzon. Dolores Tierney pp. 360-371 REPORTS AND DEBATES Special report. The changing geography of third cinema. Michael Chanan pp. 372-388 Report. Console-ing passions: Television, video and feminism conference. Uma Dinsmore pp. 389-391 Report. Time and value conference. Susannah Radstone pp. 391-393 Creteil International Festival of Women's Films. Cathy Fowler and Petra Kuppers pp. 393-397 REVIEWS Review. Elizabeth Fox: "Latin American broadcasting: from Tango to Telenovela.Foro Hispanico, 'Ibero-America y el cine'. Catherine Grant pp. 398-403 Review. Paulo Antonio Paranagua (ed): "Mexican cinema"; Randall Johnson and Robert Stam (eds): "Brazilian cinema." Michael Chanan pp. 404-408 Review. Gaylyn Studlar: "This mad masquerade: stardom and masculinity in the jazz age"; Sean Nixon: "Hard looks: masculinities, spectatorship and contemporary consumption. Sean Cohan pp. 409-413 ================================================== _Screen_ is published quarterly by Oxford University Press. For more information please contact the Journals Department, Oxford University Press, 2001 Evans Road, Cary NC 27513, USA. Toll-free within the US: 1-800-852-7323 or 919-677-0977 Fax: 919-677-1714 E-mail: [log in to unmask] World Wide Web: http://www.oup.co.uk/screen/ Copyright in the table of contents listed above is held by OUP, but you are welcome to circulate them, provided that Oxford University Press is credited as publisher and copyright holder. ---- Online resources for film/TV studies may be found at ScreenSite http://www.tcf.ua.edu/screensite