I am trying to put together a panel on the intersections between fictional film and the Holocaust, for the 1998 meeting of the Florida State University Conference on Film and Literature. The conference meets January 29-31, 1998 in Tallahassee, FL. The deadline for submissions is October 3, so I'm trying to get moving relatively quickly. My own paper uses Fredric Jameson's Political Unconscious to talk about Fritz Lang's Rancho Notorious as a film which responds to the crisis of the Holocaust and its repressed nature in the United States. I'm interested in getting some panelists together who would engage this paper in various ways: perhaps some critiques/analysis of such "allegorical" readings, work critiquing/analyzing the currently available film and the Holocaust books (Insdorf, Avisar, Doneson), etc. I hesitate to prescribe the focus, as I think a wide array of "new" work on film and the Holocaust is in order. However, as my work is on a film which is clearly not directly about the Holocaust but circulates its "social energies," I am very intrigued by the possibility, plausibility, and morality of such readings. If you are interested, could you please e-mail me or call me and we can discuss how our projects might converge. Thanks. Walter Metz University of Texas at Austin [log in to unmask] 512-795-0232 ---- To sign off SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]