don larsson, on target as usual, says: > . . . and some texts (perhaps even a large number, especially > of current releases) . . . are multiple and that have to be > engaged with in terms of their release, distribution, and the > contractual issues that surround them . . . precisely right . . . which is also precisely why this is so disquieting to someone who thinks of the critic as an interpreter and longs for a place to stand while interpreting mike ---- Screen-L is sponsored by the Telecommunication & Film Dept., the University of Alabama.