liz weis' coment: There is no definitive sound track. The end product of a final mix (which wouldn't have happened in time for the trailer's first release) is not just one printmaster from which domestic exhibition prints are struck; effects, dialog and music are kept discrete to allow for release in different formats ranging from monaural optical 16 mm. tracks, to multi-channel digital systems, to foreign versions minus the dialog. suggests all too strongly that when it comes to film not only is there no such thing as an authoritative cut or "text" but that the whole notion of an authoritative text makes no sense whatsoever . . . i know i shouldn't but i still find this vaguely disturbing, even a touch sinister mike frank ---- Online resources for film/TV studies may be found at ScreenSite http://www.sa.ua.edu/screensite