Reference to THE PILLOW BOOK as an interesting approach to adaptation arrives at a time when I am trying to sort out my feelings about APOCALYPSE NOW after reviewing it in light of much recent study of Conrad's HEART OF DARKNESS. Coppola certainly exploits the strengths of film as a visual medium in APOCALYPSE. Battle scenes and jungle atmosphere are beautifully rendered. But I was struck, upon viewing this time, with how much less I cared about Willard as a character, compared to Marlow (who is, after all, a good man caught up in impossible circumstances), and how shallow Brando's version of Kurtz seemed. The Navy chief and the the photographer are very interesting adaptations of Conrad characters, but the principle characters didn't have much impact on me. I'd love to hear some contrary views. Dan. Dan Gribbin Ferrum College (VA) [log in to unmask] ---- Online resources for film/TV studies may be found at ScreenSite http://www.sa.ua.edu/screensite