What I found most interesting about the film, and highly compelling, was how it showed this woman talking to God, but shot in a documentary fashion so that it made no judgements at all as to whether she was actually making that communication of not, if it might be just the expression of her inner arc. At one point she even looks into the camera after a conversation, which felt pretty ballsy to me. Of course, the ending might indicate that she was indeed cosmically connected, but I also saw the bells as just being there for the audience, not really being seen by the characters, the director's visual coda to (and reward for) the grueling experience. Mark Netter [log in to unmask] ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]