I'm not sure what the boundaries of this discussion are--for example, does the original question seek films where the stream of images is given over to an intradiegetic character?--but in this vein Pasolini's version of *1001 Nights* is pretty spectacular, as are, in another vein, *Sorry, Wrong Number* and *The Locket*. Edward R. O'Neill UCLA ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]