I want to belatedly (since they arrived while I was away on vacation) thank Pip Chodorov for his additional comments of August 30 on the draft Library of Congress guide to moving image genre and form terminology. I appreciate his translation of the taxonomy used by the Agence du Court-Metrage in Paris. The terms and organization provided there are, I think, fairly typical of the strengths and weaknesses of the previous, rather abbreviated attempts by other archives toward what we have tried to achieve, a comprehensive list and definition of all genres. My primary concern regarding Pip's comments proposing broader categories of fiction, documentary, and experimental, would be the apparent resultant shift of "genre" to become a term encompassing only fiction and not nonfiction formulas. This could have the unintended effect of tending to marginalize nonfiction types. I will provide Pip's materials to our Library editorial committee on the LC moving image genre-form guide, however, and in particular we will consider his ideas on treating Experimental as a form category. Since Experimental may cover many different types of subject matter, and is often intended for distribution outside of mainstream commercial channels, in a sense arguably does fit our definition of form, as opposed to genre. Again, I want to express my appreciation to Pip for his very thoughtful comments, and apologize for the lateness of my reply. Brian Taves Motion Picture/Broadcasting/Recorded Sound Division Library of Congress Washington, D.C. 20540 202-707-9930 202-707-2371 (fax) Internet: [log in to unmask] ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]