Don Larsson writes: >Richard Leskosky suggests: >"I'm not certain about these but it seems logical for them to have scenes of >photos in developing fluid: REAR WINDOW and PEEPING TOM." > >Strangely enough, there *isn't* one in REAR WINDOW. Many thanks for the clarification/correction, Don. At the beginning, as I now recall, we see photos on the wall and in a magazine of a car race and crash which James Stewart's character took and which presumably explain his being in a cast. Later, of course, he observes the goings-on in the apartment across the way through various lenses, but no darkroom work. --Richard J. Leskosky Richard J. Leskosky office phone: (217) 244-2704 Assistant Director FAX: (217) 244-2223 Unit for Cinema Studies University of Illinois 2117 Foreign Languages Building 707 S. Mathews Avenue Urbana, Illinois 61801 ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]