Perhaps, slow-motion does appear in Arthur Penn's THE LEFT HANDED GUN as far back as 1956. I'm not sure about this. But the technique was very common. You may wish to explore early Hong Kong Cinema, particularly Chang Cheh's SHAW BROTHERS films such as BLOOD BROTHERS (aka DYNASTY OF BLOOD, 1972) and SEVEN BLOWS OF THE DRAGON (1973?) where you will note the presence of slow-motion elements that John Woo developed in his later post 1986 gangster films which were also influenced by Peckinpah. Woo worked as assistant director on BLOOD BROTHERS and has expressed his indebtedness to Peckinpah, Melville, Scorsese, Leone and others whose work originated in a more creative and less dominantly commercialized era of world cinema. I'm sure if you explore you will find many examples of this technique. Good luck. Tony Williams ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]