>An odd, vague question - films where red and blue are used as contrasts in >order to highlight conflicting moods, express relationships of oppositions >and the like. Here is an equally vague response: If you find the philosophy of garish colors being used for moods an interesting subject, you should research Vittorio Storarro's work. (He was the cinematographer of Little Buddah in addition to most Bertalucci films and films of Copolla.) He has a theory of colors which is, shall we say, well defined. In addition to many many interviews in publications like American Cinematographyer, you can see him speak about his work in the EXCELLENT documentary VISIONS OF LIGHT. Sincerely, Mark Allen Xantherboy ****XANTHER ****http://www.directnet.com/~xanther/ **___**_____***_____***___**_********_**___**_*******_*******__ _**_**_____**_**____****__**____**____**___**-**______** **_ __***_____**___**___**_**_**____**____*******_*******_*******__ _**_**___*********__**__****____**____**___**_**______**____**_ **___**_**_______**_**___***____**____**___**_*******_**_____** ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]