C A L L S F O R P A P E R S ^^^ ^^^ FILM AND PHILOSOPHY, the journal of the Society for the Philosophic Study of the Contemporary Visual Arts invites your papers for Volume III. We welcome work from any perspective and on any topic which you believe would be of interest to our readers; our only requirement is that your work use film in a significant way and that it make a philosophically interesting point. As you will see from the wide range of works in the first two Volumes, we interpret the term "philosophical" in a very inclusive sense. Papers should be sent to the editor: Kendall D'Andrade Department of Philosophy, Shawnee State University, Portsmouth, OH 45662, USA or to the Society's treasurer: Fred Seddon 23 Mt. Oliver Street, Pittsburgh, PA 15210-1745, USA Deadline: May 31st. Publication expected in September or October. The SPSCVA Review invites your shorter works in the area of film and philosophy. The _Review_ publishes all our normal book reviews; length limit: 500 words. If you have a book you would like to review, please communicate with the editor -- Kendall D'Andrade at the address above or by E-mail at [log in to unmask] The _Review_ also considers shorter discussions of single films or groups of films as well as essays on any film-related topic; length limit: 1500 words. These may also be sent to the editor. The _Review_ is published three or four times a year, with the aim of printing all works which have been accepted up to about 2 weeks before publication. We particularly invite discussion of one or more of the essays in the collection _Philosophy and Film_ edited by Thomas Wartenberg and Cynthia Freeland (Routledge, 1995). If there are a sufficient number of these discussions Volume V, number 3 of the Review will be devoted entirely to them. We also invite you to join the SPSCVA, the Society for the Philosophic Study of the Contemporary Visual Arts. Dues are $10 per year; please send them to the treasurer: Fred Seddon Treasurer: SPSCVA, 23 Mt. Oliver St., Pittsburgh, PA 15210-1745, USA For your $10 you receive one Volume of our journal FILM AND PHILOSOPHY (it's an annual) and a year's worth of the SPSCVA Review. Please tell Fred which Volume you wish your membership to start with, I or II. If you elect to receive both volumes we will include, somewhat like a signing bonus, the first four volumes of the predecessor to the _SPSCVA Review_, our newsletter. We also accept Visa and MasterCard, which may ease currency conversion costs. If you wish, you may subscribe for more than one year; we will accept up to three years in advance. There is no surcharge for non-USA mailings. To give you some idea of what you're buying, I've appended the tables of contents for Volumes II and I. Kendall D'Andrade, Secretary: SPSCVA Film and Philosophy Volume II 1995 Guest Editor: Allan Casebier Movie Pleasures and the Spectator's Experience: Toward a Cognitive 3 Approach by Carl Plantinga Screening The 'I' of the Camera 20 by Daniel Herwitz Constructivism in Cognitive Film Theory 33 by Kevin W. Sweeney The Self and the Other in Roeg's Eureka and Sartre's Being and 45 Nothingness by Cynthia Baron Making Sense of Genre 58 by Deborah Knight Phenomenology, Poststructuralism, and the Cinema of Time 74 by Jeffrey A. Bell Filmmaking, Logic, and the Historical Reconstruction of the World 88 by Evan William Cameron Cavell's Philosophy and What Film Studies Calls "Theory": Must the 105 Field of Film Studies Speak in One Voice? by William Rothman Who's Silencing Whom? 111 by Marian Keane - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Film and Philosophy Volume I 1994 Editor: Kendall D'Andrade On Cinema and Perversion 3 by Berys Gaut Peter Greenaway and Nietzsche's Eternal Return 18 by Stephanie Semler A Freudian Solution to the Attraction-Repulsion Response Evoked by 23 The Cook, The Thief, His Wife and Her Lover by Elizabeth Jones The Persistence of Vision: The Re-Emergence of Phenomenological 29 Theories of Film by Kevin W. Sweeney The Camera as a Muse of Fire in Henry V 39 by Julia Houston Phantasy Projections of the Multiple Psyche in 8 & 1/2 and 42 Last Year at Marienbad by Graham Parkes Sartrean Themes in Woody Allen's Husbands and Wives 55 by Sander Lee The Site of the Body in Torture/The Sight of the Tortured Body: 62 Contemporary Incarnations of Graphic Violence in the Cinema and the Vision of Edgar Allen Poe by Wheeler Winston Dixon Nobody Here But Us Killers: The Disavowal of Violence in 71 Recent American Films by Thomas M. Leitch Home Alone: American Dream/American Nightmare 81 by Fabian Worsham Picturing the Human (Body and Soul): A Reading of Blade Runner 87 by Stephen Mulhall Retro noir, Future noir: Body Heat, Blade Runner, and 105 Neo-Conservative Paranoia by Robert Crooks Imagining America: Reflections on Politics and Time in Three 111 Forms of Popular Film by David Owen Hollywood Mediated Reaganism 117 by James W. Newcomb Floating "In a World of Shit" - Full Metal Jacket's Excremental Vision 121 by Tony Williams Thirty-Two Short Films About Glenn Gould 136 by Fred Seddon ---- To signoff SCREEN-L, e-mail [log in to unmask] and put SIGNOFF SCREEN-L in the message. Problems? Contact [log in to unmask]